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Located in what was once the stables of the Franciscan monastery, the Museum of the mysteries develops along a path marked by longitudinal cell, raised floors and wide open spaces which slowly shrink to accompany the visitor along the stages of the passion of Christ. The sculptural groups, also called "pictures" or "boards", are entirely made of papier-mache and are eclanese artist Antonio Russo (1836-1914) who in 1875 donated them to the city. The figures, modelled using old paper and glue and glass inserts for the eyes, are high about a metre and a half and are characterized and expressions
The Museum is housed in the former Church of the confraternita del SS. Rosario and the confraternity of San Prisco, located in the historic centre of Mirabella Eclano. The Museum area also includes some rooms in the past meeting locations of two lay associations, including the former chapel of the Madonna del Gonfalone with fine eighteenth-century majolica floor. In some circles, under the floor, during the renovation of the buildings, are unearthed tracks walls of the modern age (15th-17th century), was granarie a circular paving structure and remote a furnace, trapezoid-shaped, perhaps used
Inhabited since the age (eneolithic necropolis in the locality. Madonna delle Grazie), in Mirabella Eclano pass the ancient Aeclanum whose first plant can be traced back to the late 3rd century. BC. The Centre was initially equipped with a wooden wall (Appiano), then set on fire by the dictator Sulla in 89 BC. Around the 1st century. BC, i.e. at the time of the establishment of the municipium, the Fort was rebuilt in Opus reticulatum, following an irregular pattern which it marked a triangular plateau. Inside the wall was not possible until now sell exactly the civil forum, home of the admin