Admire the most beautiful places of Aosta and add them to your basket. YAMGU will create your trip considering distances, opening hours and weather.
The Memorial will recognize different styles: the ten columns that decorate the facade and sides culminate in Corinthian capitals, while latrabeazione, adorned by metopes and triglyphs, is of the Doric order.
In the middle ages, was named Saint-Voût (French for "Holy face") by a picture of the Savior that was placed there.
The crucifix exposed under the vault is a copy of what in 1449 was placed as a votive offering against the flooding of the Buthier, which flows just East. The original of the crucifix is now housed at the Museo del tesoro della cattedrale di Aosta.
The complex overlooking the piazzetta di Sant'Orso, constitutes a part of the city of great historical and artistic charm.
The square is dominated by the imposing Romanesque Bell-a quadrangular plan.
Remarkable frescoes inside the St. Sebastian altar, placed at the end of the right aisle, outside of the choir.
The cloister, with its round arches, its columns and decorated capitals, is an example of romanic art-Catalan-Provençal alombardo.
The Porta Pretoria is the eastern entrance of the Roman city of Augusta Praetoria Salassorum (Aosta today).
Built in 25 BC, is still in excellent condition and is formed by two series of arches-one major and two minor side-around a piazza D'Armi. On both arches are visible the walkways of the Sentinels.
Designed in the neoclassical style. The main façade of the building, facing South, overlooking piazza Chanoux. Please note, in addition to the richly decorated pediment, the two statues are located at the base of the façade. The sculptures represent the two streams of water lapping on the city: the Dora Baltea and the Buthier. On the roof of a Town Hall clock, on the Western side, and a sundial, on the East.
The Cathedral of Santa Maria Assunta and San Giovanni Battista.
In addition to a wall you can see the two mighty towers. After giving a look at neoclassical façade (and recognized on it the statues of the Saints dear Aosta devotion), deserves the attention to focus on the old Renaissance façade within the atrium.
The striking façade, the visitor's attention to the wealth of polychrome and for the combination of frescoes, terracotta and groups a varied repertoire of decorative Renaissance flavor.